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IN THE BEGINNING the Mother was in a unified state where she could not look at herself and was alone. She had a wish to become conscious of herself and so she created an extension of herself: the male lightning beam. Thus opposites, inside-outside, male-female and so on came into being. The purpose of the male electric lightning is to dance through the void which is the latent potential of the Mother and as he dances he illuminates portions of the void, brings it to life, makes it conscious, expresses and realizes it. This is done through a female vessel or magnetic sphere which is able to hold a given void portion or unrealized potential within herself so that the male beam can spark it and express it through her. = Creation. During the ascension process one will eventually come to the point where one can choose to give back oneīs free will for oneīs divine will. One turns into a vessel/channel through which oneīs higher Self expresses its true purpose. Through this process 2 valid extensions of the soulīs Logos come into being, namely the female and male pole of the best possible true self expression of the Logos. These 2 interact in what can be termed the dance of creation: Creation - Death - Rebirth, the male Lightning Beam dancing through the female Void/the Motherīs unrealized potential. To align the female sphere/male beam to the true purpose of the Logos various adjustments take place: THE SEAL is an energetical imprint which adjusts the female vessel in such a way that her true opposite male pole can access her, and so that nobody else can. This is done by reshaping/transforming the energetical fields of the vessel - opening the channel and aligning it like a lock so that only the right key will fit, so that a pure and undisturbed energy exchange can take place between the 2 poles. The seal pierces the spider from base to crown and back again, the second line of the cross pierces through the heart from above and back upwards again. The posture is that of the blank circle. The 2 piercing/sealing lines cross in the heart. The vessel utilizes the Dragonīs Breath Of Fire to express the will of the Dragon through herself: The Breath: Breathing in: Asha (first drawing from behind, through the heart, then drawing from all directions into the heart) (this draws in the Spark of the Dragon) Breathing out: Vahishta (first exhaling to the front, through the heart, then exhaling/emanating into all directions from the heart) (this expresses the existing potential of the pot of gold/void portion held by the vessel in the best possible way - undistorted, pure) For further alignment and to anchor the seal one does this breath through all major chakras. From the male perspective, the breath is about connecting with the presence of Asha, which approaches one from behind. He accesses all rear chakras. One must breath in this firey essense through the chakras, where it is changed slightly. And by doing so it changes me. It is then breathed out the front of the chakras as a fan of flames. The rainbow line piercing downwards from above reaches down into the void and draws, with its pulling out/withdrawing motion a pot of gold upwards into the vessel, which becomes/is the pot of gold then. The pot of gold which belongs to Asha. (Ashaīs house/treasure) I am your God, you are my Source describes the alignment of this energetical configuration between the 2 emanations or poles making up the whole of Creation (Potential and Expression.) |
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